As the West Coast summer heats up, Santa Barbarans can cool down with a visit to see CA Cool, the current exhibit at Sullivan Goss, An American Gallery. The show’s curator, Jeremy Tessmer, has culled pieces all made by California artists since the 1950s that to him represent the Golden State’s ability to “monopolize coolness.” His goal for CA Cool is to intrigue viewers and introduce new ways of interpretation, hopefully attracting a younger demographic to the world of art. The exhibition certainly demonstrates the ingenuity and talent that Californians have brought to modernist and minimalist art.
The commanding centerpiece of the show is “Monolith,” a massive resin and plywood sculpture by artist John McCracken. The piece’s dark indigo surface is so pristinely glassy that it gives the illusion of both transparency and depth. According to gallery owner Frank Goss, McCracken left “Monolith” to the landlord of his studio to compensate for back rent. Decades later, the piece was acquired by Sullivan Goss; a signature and date were discovered on the bottom of the sculpture, and the incredible value of it was revealed.
Another piece that demands attention is Ken Bortolazzo’s stainless-steel creation titled “Wave.” Upon a light touch, three rippling metal strips extending from the wall on nearly frictionless bearings undulate with a motion as fluid as real waves, and the light reflections and shadows the piece casts on the wall echo the surging surface of an ocean. Santa Barbara native Bortolazzo contributes a flowing movement to CA Cool that integrates beautifully with the rest of the show.
