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Theater

Theater Review | ‘Young Frankenstein’ is a Campy Delight

The Mel Brooks classic still sings and dances and zings its way into our hearts.

Theater Review | ‘Young Frankenstein’ is a Campy Delight

Young Frankenstein, the Mel Brooks classic, comes to SBCC’s Garvin stage in an electrical storm of madcap absurdity, striking stagecraft, and hilarious performances. Led by the perfectly cast Dillon Yuhasz and directed by Rick Mokler, Young Frankenstein charges through the comedy realm with clever repartee, snort-worthy one-liners, and physical comedy bits that, while predictable, consistently hit the mark.

As Frederick Frankenstein, serious medical academic turned goofy mad scientist, Yuhasz delivers flawless Brooks-style comedy and makes the familiar Gene Wilder vibe his own. The show also serves an impressive roster of featured roles, including Ryan Beaghler as a wonderfully weird Igor and Addison Clark as Frankenstein’s diligently vexatious fiancée. Other highlights include the impressive yodeling talents of Kate Brody-Adams and Will Muse as the (crowd favorite) blind, marsh hermit desperate for human interaction. Finally, Tiffany Story hits peak hilarity as the severe, lovelorn Frau Blucher, erstwhile companion of the late Dr. Frankenstein Sr. and terrifier of horses.



Even the ensemble is noteworthy fun, with well-executed, Broadway-style choreography (by Michele Spears) and a self-aware mob mentality. Featured vocalists are top-notch, and the lyrics are a campy delight. Impressive sets are a staple of SBCC shows, and Young Frankenstein does not disappoint, complete with a rotating bookcase leading to a secret passageway and a massive laboratory.