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Bellosguardo: A Legacy in Limbo

The foundation created to carry out Huguette Clark’s will is accused of mismanagement, favoritism, and neglect.

Bellosguardo: A Legacy in Limbo

In May 2011, the reclusive heiress Huguette Clark died, leaving her grand East Beach estate, Bellosguardo, to a public charity for the purpose of fostering the arts. Giving her palatial summer home to the Santa Barbara community was, by far, the largest single gift of her $300 million fortune. Clark hadn’t visited the 27-room mansion, with its extensive art collection, in more than 60 years, and in recent decades, very few people had ever seen inside. It stood on the cliffs overlooking the ocean, a bit of a mystery to those living in the city below. But after her death, it became clear that Clark had wanted Bellosguardo to be publicly cherished as a lasting benefit for Santa Barbara and preserved for the appreciation of art everywhere.

Huguette Clark, right, inherited her great wealth from her father, William A. Clark, a U.S. senator and one of the most powerful and ruthless of the 19th-century robber barons.

Three and a half years after the formation of the Bellosguardo Foundation ​— ​a 501(c)(3) nonprofit registered in New York and operated out of Santa Barbara ​— ​Clark’s dream is no closer to being realized. Instead, the mystery surrounding the property has intensified, and a pall of secrecy has gathered over it. In apparent violation of its own bylaws, the foundation’s board of directors has not held a single formal meeting, multiple directors have resigned, and its local leadership has had to fend off allegations of mismanagement, favoritism, and neglect.

Over the last six months, the Independent has directed questions to the foundation ​— ​which now controls more than $95 million in Bellosguardo property, artwork, and cash. All have gone unanswered. This lack of information that has led many in the Santa Barbara community to rely on baseless rumors has also generated legitimate concerns about the future of the estate. This article attempts to address what is factually known about the foundation and its mission, and what is going on behind Bellosguardo’s beautifully carved wooden doors. The information presented here was gathered from public documents and more than two dozen interviews with people intimately familiar with the property and organization. Many of them spoke only on the condition of anonymity.